DK Matai - November 15, 2006
Blake identified God's (Pure Love's) creative process with the work of an artist. And it is art that brings creation to its fulfillment -- by showing the world as it is, by sharpening perception, by giving form to ideas...
THE LAMB (from Songs of Innocence)
Little Lamb, who made thee?
Dost thou know who made thee?
Gave thee life, and bid thee feed,
By the stream and o'er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little Lamb, who made thee?
Dost thou know who made thee?
Little Lamb, I'll tell thee,
Little Lamb, I'll tell thee.
He is called by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild;
He became a little child.
I a child, and thou a lamb,
We are called by His name.
Little Lamb, God bless thee!
Little Lamb, God bless thee!
[1789]
THE TYGER (from Songs of Experience)
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?
And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
[1794]
To understand "The Lamb" and "The Tyger" by William Blake, one needs to know Blake's symbols. The Creator as a blacksmith: this is both God the Creator (personified in Blake's myth as Los) and Blake himself (again with Los as his alter-ego.)
The contrast of "The Tyger" with "The Lamb" is obvious. ("Little Lamb, who made thee? Dost thou know who made thee?" The answer is God or Pure Love, who becomes incarnate as The Perfect Spiritual Master over and over again, ie, Socrates, Lao Tzu, Jesus Christ, Maulana Rumi, Kabir, Kirpal et al: The Lamb.)
"The Tyger" asks, "Did he who made the Lamb make thee?" And the answer is, "Yes, God made the Tyger too", who is a metaphor for Experience, Time or Judgement.
The "fearful symmetry" is that of the lamb and the tyger: innocence and experience, which are manifest as Pure Love on the one hand and Time or Judgement on the other. Pure Love's characteristic is forgiveness and compassion. The characteristic of Experience, Judgement or Time is "an eye for an eye and a tooth for a tooth, leaving the perpetrator and the victim blind and toothless!"
Blake identified God's (Pure Love's) creative process with the work of an artist. And it is art that brings creation to its fulfillment -- by showing the world as it is, by sharpening perception, by giving form to ideas...
Background
William Blake (1757-1827) was a British writer, artist, mystic, and poet, who is often considered the first of the great English Romantic poets. In 1789, the year of the French Revolution and the Storming of the Bastille, Blake's early masterpieces, The Book of Thel and Songs of Innocence appeared. After that, Blake created "The Marriage of Heaven and Hell" (1790-93), "The French Revolution" (1791), "America: A Prophecy" (1793), "Visions of the Daughters of Albion" (1793), the "Songs of Experience" (1793-4), "Europe: A Prophecy" (1794), "The Book of Urizen" (1794), "The Book of Los" (1795), "The Four Zoas" (1795-1804), "Milton" (1804-1809), and "Jerusalem" (1804-1820).
What do you think about The Lamb and The Tyger by Blake? What are your thoughts, observations and views.
Do you have some similar favourite poems to share?
We beg your apology for any errors or omissions and also for any mistakes that have been made in interpretation.
With warm wishes to you and family
DK with family
DK Matai
The Philanthropia, ATCA, mi2g.net
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Posted by DK Matai at November 15, 2006 11:35 AM
To William Blake,
Thou that beheld visions and banned all thy visualry
With quill or chalk or pin on paper sheet or stone,
Their form in lines or shades, their sense in thy poetry,
Gruesome or tender or grand, but a thousandfold al-One, -
Thou was a man as we: the wildness of thy bliss
Was no other than that radiant glow
Rising from high heaven’s steep’st abyss
Waking our imagination to creations eternal flow.
Thou willed not thine eyes elsewhere to sway
High or low but to the images twirl and twist,
And thine enigmatic word and play were but a way
For One more than thee to pray in thee, his Artist.
How capricious speech and stroke; ‘cause man on earth,
As a mesh in synchronicities web, endlessly meshed
Grasps best that from impression form expressed
And therefrom furthers the Kingdom to its birth.
Our Kingdom was thine and thy were its preacher.
Imagination its name and Spirit as its teacher
In itself miraculously inspires elated creatures,
Though with ratio bounded, ruled and fragmented features.
Unsave from that Fall! Love only can avail;
Who pierces the once created ever with beaming arrow,
Who grants the stark and dying but short bail
And always the Denier-of-nature overthrow.
How did thee wind around thy core, thy deepest sow,
And not only thine, but of humanity whole,
Myths and dreams, whose heavenly high grow
Became a canopy, by thy thought in an enlightened glow.
Under that heavens arch,- plagued, taunted, pushed away,
By brave and learned as well, who deemed insanity your expose –
Worked thee with a woman near, she held thee interlocked, close
When rapture reaped thou and all thy worry away.
And when walking, sometimes, of thy visions one said,
Their sense were so deep and pure, a formidable pleasure,
And then eyes looked at thee jestingly to take thy measure:
Where didst thou see that? – Thee quietly pointed at thy forehead: here.
Here. In your world not, which is glimmer, dull, deceptive,
For who it as a fact and not as symbol meets.
Here, in our own Kingdom, to anyone open and receptive
Where the symbol Nature to higher Art completes.
How were thy quiet and peaceful in thy final reposes.
Thy laid and waited, and sang thy soul song so bold,
For it to be heard above the heavens vault
Whose opening the human eye its last vision encloses.
Thy sang! So sweet; and she weeped who thou love begot.
But thee: O sweet, that song isn’t mine, it’s not!
No, t’was the god in thee whose ev’ry song thy lent
We’re with him, stay with him, beginning through the end.
By Albert Verwey, Dutch Poet 1865-1937
Courtesy translation 2006 by C
Dear DK,
"by giving form to ideas"
I thought that was the function of the universe? Amazing that the Artist and the Universe perform the same function.
To William Blake
Prophet of Art everlasting; where the eternal Representation
Which is life itself through the holy Spirit's lead,
After Love's first quest which bared Nature's breasts and seed
Were sown to her recreation indeed.
By Albert Verwey, Dutch Poet 1865-1937
courtesy translation 20006 by C
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(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)To William Blake
Prophet of Art everlas
Dear DK,
"by giving form to ideas"
To William Blake,
Thou that beheld visi
My first reaction is:
The lamb with the
My first reaction is:
The lamb with the eyes of a tiger...
Then i went looking for some comments on these poems on the Internet and found this:
"Throughout infinity evolution sweeps along all the children of an ever-fecund mother who is Space-as-consciousness. Consequently the descent into individualized life on earth is necessary for growth. Thereby our experiences call out of our hidden recesses a limitless range of qualities that are expressed in ever-larger degrees of refinement.
"What the hand dare seize the fire?" Does this line of the poem not echo the Greek myth of Prometheus who 'stole' the fire of the gods -- mind -- to give to man, thereby dooming himself to the aeons-long torments of physical existence in order to inspire the human race to become aware that they are embryo gods, cosmic beings at school? The descent into matter is matched by a later ascent into the realms from which all have come, back to the primal source.
The fiery look of the tiger is a challenge to awaken and to scale the rungs of the limitless ladder of beings that comprises the vast ranges of nature.
(From Sunrise magazine, January 1974; copyright © 1974 Theosophical University Press)
And to me this says it all :)