DK Matai - February 17, 2007

In the context of Holistic Quantum Relativity's Socratic Dialogue it is useful to note that the Nobel Laureates Prof Albert Einstein (1921) and Sir Rabindranath Tagore (1913) met at Einstein's residence in Berlin, Germany, on 14th July 1930, as photographed. The recorded conversation elegantly demonstrates how the two utilised the language of music, as a metaphor, to forge common ground between science & spirituality.
TAGORE: I was discussing with Dr Mendel [mutual friend] today the new mathematical discoveries which tell us that in the realm of infinitesimal atoms chance has its play; the drama of existence is not absolutely predestined in character.
EINSTEIN: The facts that make science tend toward this view do not say good-bye to causality.
TAGORE: Maybe not, yet it appears that the idea of causality is not in the elements, but that some other force builds up with them an organised universe.
EINSTEIN: One tries to understand in the higher plane how the order is. The order is there, where the big elements combine and guide existence, but in the minute elements this order is not perceptible.
TAGORE: Thus duality is in the depths of existence, the contradiction of free impulse and the directive will which works upon it and evolves an orderly scheme of things.
EINSTEIN: Modern physics would not say they are contradictory. Clouds look as one from a distance, but if you see them nearby, they show themselves as disorderly drops of water.
TAGORE: I find a parallel in human psychology. Our passions and desires are unruly, but our character subdues these elements into a harmonious whole. Does something similar to this happen in the physical world? Are the elements rebellious, dynamic with individual impulse? And is there a principle in the physical world which dominates them and puts them into an orderly organisation?
EINSTEIN: Even the elements are not without statistical order; elements of radium will always maintain their specific order, now and ever onward, just as they have done all along. There is, then, a statistical order in the elements.

TAGORE: Otherwise, the drama of existence would be too desultory. It is the constant harmony of chance and determination which makes it eternally new and living.
EINSTEIN: I believe that whatever we do or live for has its causality; it is good, however, that we cannot see through to it.
TAGORE: There is in human affairs an element of elasticity also, some freedom within a small range which is for the expression of our personality. It is like the musical system in India, which is not so rigidly fixed as western music. Our composers give a certain definite outline, a system of melody and rhythmic arrangement, and within a certain limit the player can improvise upon it. He must be one with the law of that particular melody, and then he can give spontaneous expression to his musical feeling within the prescribed regulation. We praise the composer for his genius in creating a foundation along with a superstructure of melodies, but we expect from the player his own skill in the creation of variations of melodic flourish and ornamentation. In creation we follow the central law of existence, but if we do not cut ourselves adrift from it, we can have sufficient freedom within the limits of our personality for the fullest self-expression.
EINSTEIN: That is possible only when there is a strong artistic tradition in music to guide the people's mind. In Europe, music has come too far away from popular art and popular feeling and has become something like a secret art with conventions and traditions of its own.
TAGORE: You have to be absolutely obedient to this too complicated music. In India, the measure of a singer's freedom is in his own creative personality. He can sing the composer's song as his own, if he has the power creatively to assert himself in his interpretation of the general law of the melody which he is given to interpret.
EINSTEIN: It requires a very high standard of art to realize fully the great idea in the original music, so that one can make variations upon it. In our country, the variations are often prescribed.
TAGORE: If in our conduct we can follow the law of goodness, we can have real liberty of self-expression. The principle of conduct is there, but the character which makes it true and individual is our own creation. In our music there is a duality of freedom and prescribed order.
EINSTEIN: Are the words of a song also free? I mean to say, is the singer at liberty to add his own words to the song which he is singing?
TAGORE: Yes. In Bengal we have a kind of song-kirtan, we call it -- which gives freedom to the singer to introduce parenthetical comments, phrases not in the original song. This occasions great enthusiasm, since the audience is constantly thrilled by some beautiful, spontaneous sentiment added by the singer.
EINSTEIN: Is the metrical form quite severe?
TAGORE: Yes, quite. You cannot exceed the limits of versification; the singer in all his variations must keep the rhythm and the time, which is fixed. In European music you have a comparative liberty with time, but not with melody.
EINSTEIN: Can the Indian music be sung without words? Can one understand a song without words?
TAGORE: Yes, we have songs with unmeaning words, sounds which just help to act as carriers of the notes. In North India, music is an independent art, not the interpretation of words and thoughts, as in Bengal. The music is very intricate and subtle and is a complete world of melody by itself.
EINSTEIN: Is it not polyphonic?
TAGORE: Instruments are used, not for harmony, but for keeping time and adding to the volume and depth. Has melody suffered in your music by the imposition of harmony?
EINSTEIN: Sometimes it does suffer very much. Sometimes the harmony swallows up the melody altogether.
TAGORE: Melody and harmony are like lines and colours in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet colour may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.
EINSTEIN: It is a beautiful comparison; line is also much older than color. It seems that your melody is much richer in structure than ours. Japanese music also seems to be so.
TAGORE: It is difficult to analyze the effect of eastern and western music on our minds. I am deeply moved by the western music; I feel that it is great, that it is vast in its structure and grand in its composition. Our own music touches me more deeply by its fundamental lyrical appeal. European music is epic in character; it has a broad background and is Gothic in its structure.
EINSTEIN: This is a question we Europeans cannot properly answer, we are so used to our own music. We want to know whether our own music is a conventional or a fundamental human feeling, whether to feel consonance and dissonance is natural, or a convention which we accept.
TAGORE: Somehow the piano confounds me. The violin pleases me much more.
EINSTEIN: It would be interesting to study the effects of European music on an Indian who had never heard it when he was young.
TAGORE: Once I asked an English musician to analyze for me some classical music, and explain to me what elements make for the beauty of the piece.
EINSTEIN: The difficulty is that the really good music, whether of the East or of the West, cannot be analyzed.
TAGORE: Yes, and what deeply affects the hearer is beyond himself.
EINSTEIN: The same uncertainty will always be there about everything fundamental in our experience, in our reaction to art, whether in Europe or in Asia. Even the red flower I see before me on your table may not be the same to you and me.
TAGORE: And yet there is always going on the process of reconciliation between them, the individual taste conforming to the universal standard.
[ENDS]
For those who wish to understand the genesis of this Socratic Dialogue on IntentBlog, which has led to the preliminary efforts towards Holistic Quantum Relativity (HQR), please visit the following strings in sequence:
1. Maulana Rumi: 2007 is his 800th Anniversary!
2. Unified Force, Sub-nuclear Physics & Love of Rumi
3. Holistics: Embracing Science, Art and Spirituality!
4. Complex Holistics: Hegel's Logic, Spirit and Mind
5. Simple Holistics: Hegel Triangles & Unified Pyramid
6. Holistic Pyramid, Sahasrara, Sri Yantra, Creation
7. Holistic Relativity: Spiritual Planes & Consciousness
8. Holistic Quantum Relativity: Spirituality and Science
9. Holistic Quantum Relativity Project: Glossary
10. Holistic Quantum Relativity Evolution on IntentBlog
This is as presented as an amalgam from a number of sources with attendant errors and omissions. Please forgive the same and we welcome your submissions, thoughts, observations and views.
With warm wishes to you and family
DK with family
DK Matai
The Philanthropia, ATCA, mi2g.net
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Posted by DK Matai at February 17, 2007 01:43 PM
The Elegant Universe: Einstein's Dream...
Beyond Einstein...
>>The recorded conversation elegantly demonstrates how the two utilised the language of music, as a metaphor, to forge common ground between science & spirituality.
Dear DK,
If both men can have a conversation and understand each other,
If both men can relate to science and spirit, despite their preferences,
If both men are the very object of science and the very subject of spirituality,
How is it that they are forging a common ground?
Would you care to explain? The conversation is long but I don't see you elaborating on why you got to this conclusion.
Dear DK
What a dialogue! If wishes were horses, I'd ask to have ridden into the midst of it. Each man is reaching to the edge of the gap between them, then trying to bend the walls of the gap down so understanding flows out. In every sentence, I see something to think about for hours. Their characters, which make them willing to address each others' points of view with deep thoughtfulness, are something to think about, too.
As I write this, I've read only half of the dialogue. With each new segment I read, my sense of excitement grows. I'll say goodnight for now, I just woke for a minute, a broken knee makes it hard to sit and work, so I'll go back to sleep now, and finish reading in the morning.
love, Heath
Hi DK, very fitting thread!
I may tel you all an interesting observation about why music seems to take us to One so to say.
We begin from One with gravitational interactions and end into One with weak interactions. In the first we interact with the world through senses while in the later, through subtler feelings. No wonder one end of senses and subtler feelings, or highest of senses and subtlest of feelings seem to take us again to One ( to spiritual highs.)
As each interaction further go through four basic interactions, I wonder if sense of touch and of hearing thus do not belong to gravitational and weak interactions through and through.
I also wonder if this is the reason why touch and shabad heard direct from a spiritual master are most potent ways of receiving grace.
Some out of the box thoughts...Harb
Dear Harb,
I believe that music is in the very fabric of our being. From the moment we arrive, there is the beauty of sound, and singing, and in nature and in us - there is life - in Music.
Also, dancing is fun - which I did tonight :)
~ Kate
Dear Heather,
For now, sleep restfully. When you awake, may your knee be healed
(it really is, but if time disagrees - I will try and compress for you :)
love,
~ Kate
Dear Friends
Thank you for your input.
Dear Bonnie
The Pledge for India's Independence is still vivid and fresh. Many promises made still need to come true for the majority of that vast and varied country. Let us hope for all our sakes that they do.
Dear DMR
Please read #5 by Heather.
Dear Heather
Beautiful thoughts and sorry to hear about your knee. Trust it will be less troublesome as time goes by.
Dear Harb
How would you sequence the senses, in which order, in the context of the four forces?
Dear Kate
Echo!
With love
DK
DK Matai
The Philanthropia, ATCA, mi2g.net
Dear Heather,
Wish you quick recovery of your knee. Sending you loving and healing vibrations.
And i do agree with your thoughts and am in this respect reminded of the Beatles who have been great bridge builders in the sixties/seventies, not only with sound and music, but also with their lyrics. I was on a lyrics site yesterday where they had all their songs categorized from A to Z. Had such a marvellous journey into their words again :)
And not to forget John Lennon's "Imagine" and George Harrison's "My Sweet Lord".
Love, Mieke
Dear DK and all,
This morning i was reading an article in one of our Newspapers that struck me as being very much related to our project on HQR. Cannot resist to translate some of it and quote it hereunder:
Quote from NRC Handelsblad 17-02-2007 from a Dutch article by Peter Cuyers:
"The real history of humanity consists of billions positive and even loving interactions between billions of people, now and then interrupted by small groups of egocentric people who want to have more than the rest.
When looked at it that way, it would mean that some 6 billion world citizens behave themselves and establish together a daily ethical lifestyle, no matter the ethical level of their society.
Parents do everything for their children, families and friends support each other, whether they live in a democratic land or in a theocratic or totalitarian land.
But because daily Samaritarian conduct is not spectacular, we never find anything of it back in the media."
I believe that is why one can find millions of those samaritarian projects on the Internet as a kind of prove that this is really true in a large part of the world.
Another interesting quote from this article:
"and it shows that human being is already very much capable to live its life without the so-called "Big Leaders".
One who has only a little bit insight into history, knows that only people who are afraid call for leadership".
Hello DK and Everyone,
Mieke, I absolutely agree with your #11. On September 11, 2001 what struck me most was not the men who flew the planes but all the men and women who ran to the World Trade Center buildings while they were burning to HELP there fellow man. They were the "light" that caught my eye on that very dark day. Really, right there, I knew the World would be okay, because there are so many more people who willing to save a life rather than take a life. The fact that people will put their own life in danger to save another is awesome, indeed, and on September 11, 2001 the World gave witness to this.
have a great day, ruth
Hello DK and everyone,
Heather, started reading from the bottom up and just read your comment, wishing you a fast and comforable healing process...take care..
have a wonderful day, ruth
DK,
Post # 2 and especially, # 3 by Jean Francois.
Albert Einstein was humble enough to realize that he was far from understanding the ultimate truth. His limitations could never be taken as the proof that there was no 'beyond' to his theories. Only a humble man knows that he can not know it all – and I think that he was indeed a humble man.
If 2 people can not agree on everything they see, they just can not agree, even if there is a fight. To imply that they are forging common ground just because they can not quite comprehend the totality 'of their very nature' sounds more like a particular inclination of the observer who concludes inexistence based on what he can not be compehended.
DK:
You also need to put in some summary or main lessons from the book -- "The Ending of Time" which is a dialog between J. Krishnamurthi and Dr. David Bohm. It is a very fascinating journey of discovery!
Cheers,
Desh
Drishtikone.com
PS: Drishtikone has been shortlisted in the category of "Indiblog of the year" by Indibloggies.org jury... if you like it, please vote at http://poll.indibloggies.org/index.php?sid=1
In the silence, at the core of your being you can hear the music of eternity. Love is what orchestrates the songs and the conductor is Love itself
PS Harb, I bought your book "self designed universe. DK and the community are in my prayers--Tom
The Elegant Universe Part 2: String's The Thing...
Based on the message of Desh, I have made some researches and found an interesting dialog with Krishnamurti y David Bohm.
I think it could be interesting to insert it in the Socratic Dialog.
Krishnamurti y David Bohm en El futuro de la humanidad (The future of the humanity)...
Dear Tom, thank you, but I must warn you that my book will be very difficult to read. It was more to copyright a new idea than for selling. You may not find the same Harb there as here. The Harb as author of the book is not aware of any reader/book market. He just wanted to get rid of an overburdening idea in whatever way.
Thank you all the same again, Harb
Dear DK
Thanks for telling me that was the Pledge of Independence for India, I did not know that. I
think it is beautiful!!! and seems to have the same spirit as that of Tagore and Einstein's conversation.
Heather:
Am sending love and healing thoughts to your knee.
Meike:
To your post #11 you could also add
George Harrison's "Beware of Darkness"
"Watch out now
Take care
Beware of greedy leaders
Who take you where
You should not go"
Anyway, it's off to bed for me. Goodnight everyone.
Bonnie
Dear DK,
You have put an interesting question. I am sure that touch is at the bottom, that is, it belongs to gravitational interactions. But I am not yet clear about others because according to my theory four forces have their centers at naval, heart, head and spiritual heart, and so the senses too should have been located in these four places. But except touch all others are located in the head region. Perhaps while touch can directly take us to one, to the heart, all others first go through (register at) ego/mind/intellect?)
Later...Harb
Dear Mieke
Invaluable observations. Thanks.
Dear Ruth
The valour of those great men who rushed to save lives -- without thinking about themselves -- is an inspiration for our redemption.
Dear DMR / Drebelo
"Dialogos" is all about common ground.
Dear Desh
Congratulations for your blog's shortlisting!
Perhaps you can help with the summary or main lessons from the book -- "The Ending of Time", ie, a dialog between Krishnamurthi and David Bohm. It is a very fascinating journey of discovery, as you say, and then we could present it on your behalf for HQR!
Dear Tom
Thanks for your kind thoughts.
Dear Jean-Francois
Thanks for the video link.
Dear Bonnie
Well concluded.
Dear Harb
There is more to this, especially if one remembers the "Sixth Sense" or intuition.
With love
DK
DK Matai
The Philanthropia, ATCA, mi2g.net
Dear DK, I had written something about this 'sixth sense' but forgot about its name as such so I deleted it. Thank you for reminding, it now so well fits into what I had written as below:
"Gravitational interactions and weak interactions connect back to back, so there must be an equivalent of physical touch of the gravitational interactions with some other form of touch of the weak interactions. And as I can understand it, it must be the touch of the soul."
I forgot about the sixth sense, but now it is clear that it must be this touch of the soul with other souls and ultimately All Soul - which happens when we quantum jump from strong interactions to weak interactions, or when our Sahasrara opens - just as physical touch is the touch with other bodies and ultimately with the All Body.
No wonder when mind along with all its senses of taste, smell, seeing, and hearing is out of the picture and we are in touch with All in terms of only body and soul only, we are said to be in Samadhi, or said to be one with One or God.
Harb.
Harb,
I was under the impression that sound, "AUM", was first,
and therefore the ability to hear comes first and is
the last to go.
From some old notes of mine I see I wrote the Egyptian order.
1. See (Khu)
2. Feel (AB)
3. Smell (Ba)
4. Hear (Khaibit)
5. Memories (Sahu)
6. Speech (Sekem)
7. Taste(?) (Khu)
On the sixth sense...upon my Grandmother's death
came my biggest question ever addressed to God.
Did she make it to Heaven?
It was then it happened and something went through me
or left me, I'm not sure. I was certainly touched,
moved, and the feeling of an extreme heaviness
was completely removed. I felt light and satisfied.
She did indeed "make it"! This I know for sure.
I almost felt as if it was Jesus who visited me
and I became a changed man, just ask my family.
In continuation of the above #23:
We can put mind - also antimatter, virtual matter in the case of the universe - out of the picture either by bypassing it as Avtar Singh suggests but in which case our Samadhi (reaching One, God, consciousness, Guru Nanak's message)will always remain premature, for our karmas will bring us back to it again one day, or by fully exhausting/understanding it as I suggest, and in the process outgrowing it, transcending it and in which case our Samadhi will be permanent, will really be what in religious circles is called "sahaj samadhi" - you will be in samadhi even while busy in your day-to-day living.
Harb
Keith, I will call that the opening of your sixth sense, of uniting of your innermost core or soul with All Soul. True you will feel light.
Regarding senses:
Heart is the ground of all, but on this the story is equally divided between heart and mind. They almost begin simultaneously with heart having a slight edge. I think touch belongs to heart and hearing to mind, so I would keep touch before hearing.
But beyond this I am not very learned as regards details. Enjoy whatever way you can. All is in the scheme of things and we will traverse all.
Harb
This news might be of some interest towards the on going Socratic dialogue about Holistic Relativity by DK and others.
http://www.physorg.com/news90697187.html
LSU professor resolves Einstein's twin paradox
"Subhash Kak, Delaune Distinguished Professor of Electrical and Computer Engineering at LSU, recently resolved the twin paradox, known as one of the most enduring puzzles of modern-day physics."
"Kak’s findings were published online in the International Journal of Theoretical Physics, and will appear in the upcoming print version of the publication."
"The implications of this resolution will be widespread, generally enhancing the scientific community’s comprehension of relativity."
Citation: Subhash Kak, "Moving Observers in an Isotropic Universe http://www.springerlink.com/content/e4670q159464473r/?p=9724bdccded240a59c384dcdefcded98π=1
Source: Louisiana State University
thx for that link Innocentvictim. Wow! Solving Einstein's paradoxes.
The Elegant Part 3: Welcome to the 11th Dimension...
Dear V.Reddy, thanks.
Dear Harb and Keith, and there is more to this...
Dear Jean-Francois, thanks.
With love
DK
DK Matai
The Philanthropia, ATCA, mi2g.net
Harb,
Reagrding #26, from the standpoint of embryonic development
I will have to agree.
In regards to #25, the soul wishes to experience
Everything. As was once said,
"Time is Nature's way of keeping Everything
from happening all at once."
Excepting for Buddha, when he lived a multitude of lives
during one sitting under the TREE.
Is that what you mean by exhaustion?
I'd be dead tired, too!
Treading off, Keith~
This was a beautiful piece of dialogue. Thank you DK for sharing it!
I especially liked this quote, "In creation we follow the central law of existence, but if we do not cut ourselves adrift from it, we can have sufficient freedom within the limits of our personality for the fullest self-expression." ~ Tagore
Love, Char
I was delighted read this wonderful dialogue of two great sages, accompanied by such a beautiful picture - many thanks DK Mittal.
However, if I may throw a respectful and gentle challenge into the ring here regarding Sir Rabindranath's view:
"the musical system in India, which is not so rigidly fixed as western music. Our composers give a certain definite outline, a system of melody and rhythmic arrangement, and within a certain limit the player can improvise upon it. He must be one with the law of that particular melody, and then he can give spontaneous expression to his musical feeling within the prescribed regulation. We praise the composer for his genius in creating a foundation along with a superstructure of melodies, but we expect from the player his own skill in the creation of variations of melodic flourish and ornamentation".
My sense is that this applies as much to western classical music as it does to indian music but that our ears are not attuned to the difference. Sir Rabindranath's ears, accustomed to the idiom of Indian music, would hear a wealth of variety and detail that western ears could not detect. Conversely, western trained ears might hear powerful personalised variations on a well known classical theme that would seem wooden or rigid to indian trained ears. Music being very much like language derives its most profound meanings when the listener connects to it from a history of being immersed in that music's culture.
... this may also be said to re-affirm the quantum physics principle that a particle's physical existence is dependent upon and related to the observer of the particle.
Not that we cannot appreciate music from other cultures, just what that individual brings to the encounter is primordial in defining its meaning
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(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)I was delighted read this wonderful dialogue of
This was a beautiful piece of dialogue. Thank
Harb,
Reagrding #26, from the standpoin
Dear V.Reddy, thanks.
Dear Harb and Kei
The Elegant Part 3: Welcome to the 11th
Dear DK:
I have been re-reading Autobiography of a Yogi and the last thing I read was the following by
Rabindranath Tagore:
"Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms toward perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by Thee into ever-widening thought and action;
Into that heaven of freedom, my Father, let my country awake!!"
Then I come here and read this post.
How nice.
Kindest regards,
Bonnie